James Jaeger is an award-winning filmmaker who co-founded Matrix Entertainment which has partnered with Bill Van Alen, of Cornerstone Entertainment, Constitutional attorney, Edwin Vieira, Jr., and independent producer, Richard B. Iott, to produce a series of feature-length political documentaries centering on the U.S. Constitution. The first documentary — “FIAT EMPIRE” about the Federal Reserve System, featuring Congressman Ron Paul — garnered a Telly Award and went viral as the #1 film on the Internet for six months. That inspired James and his associates to develop, produce and release additional cutting-edge motion pictures including SPOILER, MOLON LABE and MIDNIGHT RIDE featuring such experts as Ron Paul, Pat Buchanan, Alex Jones, G. Edward Griffin, Stewart Rhodes, Larry Pratt, John McManus, Sheriff Mack and other Freedom Movement celebrities.
The Daily Bell: What are you doing as far as your current film project?
James Jaeger: I am working on a new film entitled MAINSTREAM – How Hollywood Movies and the New York Media Are Promoting the Globalist Agenda. Because this is a large subject, we have broken it down into a 4-part mini series. MAINSTREAM Part 1 – “Moving Images” [premiered] Wednesday, 17 May.
We are hoping that people will see merit to Part 1 and help us complete Part 2, which is currently in rough-cut stage. We do not need very much money to complete Part 2, but frankly, if donations don’t come in, we will shelve the entire project; the Globalists that control the Mainstream Media will have won. I don’t mean to be overly dramatic here, but I want to let your readers know up-front that this movie project has been the most difficult to get made of all 7 of my previous documentaries.
Although OATH KEEPERS has been very supportive of MAINSTREAM — and about 400 of their Members have donated — one of our key producer/donors died (loss of $27,000), another one bailed out because he’s leery about being blacklisted by Hollywood (loss of $25,000) and the last recently signed a deal with a major studio (loss of $20,000). Given these losses, and in the absence of an eagle who steps in, we are more dependent on Mom & Pop donors than ever. Such donors gave us great support for the previous two “gun” movies, MOLON LABE and MIDNIGHT RIDE, and they got done with good effect.
I send one of our 7 movies to Donald Trump’s office every week and I have been sending MOLON LABE and MIDNIGHT RIDE to Wayne LaPierre’s office every three or four months. And have you noticed his change in tone as he and his organization start to “git” the Second, as Sheriff Mack might say.
So these movies are making an impact. Trump’s entire platform on free trade is a practically word-for-word duplicate of ORIGINAL INTENT, one of the movies you here at the Daily Bell promoted and supported early on. So YOU are making a difference through this publication and our movies.
My solution to sluggish funding is to double down, work harder and try to make an even better film than all 7 of the previous films. MAINSTREAM will certainly be the most controversial and complex film and the reasons for this will slowly unfold as audiences get into Parts 2 and 3. There are a lot of nasty little business practices going on in Hollywood and the media that have kept a “control group” in power for well over 100 years. We will explain exactly how they have done this so if you want to help us educate Americans, and even the Trump Administration, about the MEDIA MONSTER that is strangling the Republic, go to www.MainstreamMedia.us and allocate what you can.
The Daily Bell: You are doing a history of movies and how it was taken over by the left?
James Jaeger: True but it was also taken over by corporations. The MAINSTREAM MEDIA is both liberal AND corporate.
A synopsis of the series is as follows: MAINSTREAM traces Hollywood’s origins from the early art-driven movie moguls to the profit-driven corporations of today. With the government-decreed divestiture of movie theaters in 1948, the Golden Age of Hollywood was destroyed. Along with this destruction of the “studio system,” movies became increasingly formulaic, exploitative, violent and produced by a small “control group” of insiders. Then, with the advent of TV and various influences from Europe, Hollywood movies descended into a morass of political correctness and fake news that gave birth to what we know as the MAINSTREAM MEDIA.
Now governed by just 6 huge conglomerates, Hollywood movies and the New York-based media have become involved with hundreds of predatory, unethical and often times illegal business practices that result in discrimination against talents, crews, executives and whole populations. Worse, the movies and network news have become a tool of the Globalist Agenda, an agenda to outsource the U.S. manufacturing base in the name of “free trade” and destroy the American Middle Class in the name of “stockholder value.” Hollywood has become one of the “big bad” corporations it endlessly dramatizes in its movies. And all this started as a consequence of government intervention into the right of the movie moguls to market their own movies in their own theaters.
The Daily Bell:Are central banks going to win out? If so, doesn’t this basically do away with private money?
James Jaeger:Since the Federal Reserve infestation, the entire world now operates with so-called central banks. Each bank thus emits its own “fiat currency” and as it does it dilutes all its existing fiat currency. As its purchasing power in the world market decreases, each central bank is forced to devalue its currency by changing exchange rates and printing more money. Thus all of the world’s central banks are in a race to the bottom. The bottom will come when paper currency has a value of zero.
Enter gold and crypto-currency, what I guess you are calling private money. The beauty of gold and crypto-currency is central banks can’t print them, thus the only thing that affects their value is market demand. In MAINSTREAM we will go into the Federal Reserve System and how Hollywood and the New York networks do everything in their power to suppress the issue of fiat currency and invalidate things like gold and silver. This is, of course, one of the reasons the Mainstream Media ignored our documentary, “FIAT EMPIRE — Why the Federal Reserve Violates the U.S. Constitution” even though Ron Paul starred in the film and it went viral with millions of viewers.
The Daily Bell:Why don’t central banks want private money?
James Jaeger: Because they can’t manipulate it. There is nothing that drives a banker wilder than a citizen making his or her own choices. The idea that a citizen could originate or use a currency that was totally PRIVATE and not issued or controlled by the central banking oligopoly is like tossing acid in one’s face. This is why gold, silver and now crypto-currencies like BitCoin, are not only the Devil incarnate to the central banker, but models they are feverishly seeking to imitate. BUT, once imitated, you can be sure they will be loaded with plenty of “back doors” — for what good is ANY currency if the Central Banking Mob can’t get its clutches into it and pervert it for its Globalist Agenda. And no one in this scenario serves the Central Banker’s nefarious mission more than the Mainstream Media — first failing their FCC-licensed duty to inform the public about any criminal banking Establishment, and second by profiteering off same. How many bank commercials do you see on network TV every day? Plenty! How many BitCoin commercials do you see? Zip!
The Daily Bell:Why is the film in four parts?
James Jaeger:When I got into the research for MAINSTREAM I had to go through about 50 books — all of which I ended up purchasing so they would be permanently available for me to study and cross index. Out of these 50 books, I was then able to narrow them down to the 6 books that best explicated the vital points to be covered in the documentary. The books are:
To make a very long story shorter, the research for MAINSTREAM took an entire year and when I tried to stuff all this information into even a 180-minute film, it simply would not fit. So I broke it up into 4 Parts, each part between 47 and 55 minutes. And smaller parts may be best because MAINSTREAM is a mind-numbing course on Hollywood and the New York media few will be able to absorb in more than a 55-minute sitting.
Also, since I have been a film producer/director since 1964, I have picked up a few ideas about The BIZ myself, and thus appear in MAINSTREAM as one of the “experts” along with the following “cast”:
Chuck Baldwin; Edwin Vieira, Jr; Edward Griffin; Jack Rooney; John Cones; John McManus; Ken Gullekson; Larry Pratt; Nikola Lonchar; Paul Gibbons; Richard Gage; Ron Paul; Rosie Haas; Sam Chew; Sheila Matthews; Stewart Rhodes; and Ted Baehr.
The Daily Bell: What part is being premiered and when will the next part be available?
Again, MAINSTREAM Part 1 is about 55 minutes long. If you go to the Premiere site you can watch several trailers and various clips of some of the experts, among which is EDWIN VIEIRA, CHUCK BALDWIN and STEWART RHODES. More clips are at the official website.
The Daily Bell: I understand Part 1 goes right up to the takeover of the movies and how and why this occurred?
James Jaeger:Part 1 takes us through the formation of Hollywood and its control by the original immigrant movie moguls who were ostensibly forced out of the Eastern Establishment by the likes of Edison and Ford. We discuss the incredible art-driven industry the Moguls built and then what happened to this “studio system” when the Paramount Case came down and chopped off the movie theaters. We then go into how and why Hollywood, and later the TV industry/networks, became predatory and dominated by a small group of agents, lawyers, and top executives that are 70% “politically liberal, not-very-religious Jewish males of European heritage” — as entertainment/securities attorney, John W. Cones, says. Thus Part 1 takes us up to the point where cultural Marxism and corporate fascism infect the Hollywood movies and Part 2 goes into what influence they had, not only on you and I as adults, but our kids.
The Daily Bell: Was it somehow Russian-backed?
James Jaeger: Well Marxism is the basis for Communism and its milder flavor known as socialism. Given the rise of Bernie Sanders — a self-pronounced socialist — Americans should easily be able to see that flavors of Marxism are becoming normalized in the U.S. Republic — at least to the youth and college kids. And this is, of course, because of the Frankfurt School’s “long march through the cultural institutions” — mainly the movies and academia.
One of the things we do NOT mention in MAINSTREAM (to the praise of some and the horror of others) is that Marx was Jewish and so were most of the “leading lights” at the Frankfurt School. So if movies reflect their maker’s interests, values, cultural perspectives, and prejudices, does it really need to be stated that Marxism and Hollywood as a culture go hand in hand? Unfortunately, few in “politically correct” America want to mention, let alone discuss, this for fear of being branded anti-Semitic.
So the movie industry and Mainstream Media are not Russia-backed per se, but the same political philosophy that infected the people of Europe infected the control group that dominates the Hollywood studios and eventually the New York networks. In MAINSTREAM we address all this discuss its ramifications. Unfortunately, there will be some that may try to label this movie anti-Semitic so the unthinking masses will ignore it, but I can assure you MAINSTREAM is not anti-Semitic in any way for we support Abe Foxman, former head of the Anti-Defamation League’s, assertion that ‘Jews, in general, do not run Hollywood.’
The twist in the plot, however, is that Hollywood IS dominated by a very narrowly defined control group, Jewishness being only one of the factors — albeit the factor Hollywood apologists obsess over. We delve into this obsession and explain how and why it shrouds the real issues of control, domination, and private propaganda.
The Daily Bell:Why would Wall Street want the movies to become more leftist?
James Jaeger:As we will discuss in MAINSTREAM, the Hollywood Control Group — and by extension the Network and Conglomerate Control Groups —are both liberal AND corporate. The Conglomerates — COMCAST, DISNEY, SONY, TIME WARNER, 21ST CENTURY FOX and VIACOM. To understand how this mix of corporate and liberal work, one must understand the mechanisms behind “creative control” and “ownership control” and how the entertainment industry has come to divvy up these hats. We go into this in Part 1 of MAINSTREAM, so I won’t go into it here.
The Daily Bell:We notice that Hollywood makes movies about evil corporations but very rarely about the American or British government. Does Hollywood stay away from the government on purpose?
James Jaeger: Yes the corporation and its executives are usually the “bad guys” in Hollywood movies and the government and its FBI are usually the “good guys.” As we emphasize over and over, MOVIES REFLECT THEIR MAKERS: Interests, Values, Cultural perspectives, Prejudices.
Thus the Control Group is NOT interested in green-lighting movies that make corporations the “good guys” or the government the “bad guys.” This is their interest, value, perspective and prejudice. The state is all — the individual is subordinate. The last movie about good corporations that never got made in Hollywood was called ATLAS SHRUGGED. Hollywood never funded the development or production of this best-selling book by Ayn Rand even though it was kicking around the industry for almost 50 years — and even though Ayn Rand was Jewish.
So in every Hollywood movie, the corporation is the greedy “bad guy” and the Uncle Sam government is the “good guy.” And this is simply because the government takes care of the nice poor Democrats and the corporations take care of the mean rich Republicans. And since Hollywood is dominated by politically liberal, secular Jewish males of European heritage it’s only natural for Hollywood’s movies to have a socialist, liberal, anti-free market, anti-capitalist bias to them because most Jews are Democrats and most Europeans are socialists. But again, to understand how Hollywood exists as both CORPORATE and LIBERAL, you will simply have to watch MAINSTREAM very carefully. Or you could read some of John Cones’ 17 books, for instance, one on “Patterns of Bias” in the motion picture industry, available at Amazon.
The Daily Bell: Usually America and Britain are seen as saving the day. We find this highly problematic.
James Jaeger:Yes. Again this is because of the interests, values, cultural perspectives and prejudices of the 56 males that dominate the U.S. Mass Media Oligopoly.
The Daily Bell: The central banks are working overtime to develop their own crypto-currency. Are they working without publicity by the mainstream media so they can spring their “solutions” on the world?
James Jaeger:Of course. We go into the Fed’s relationship with the Mainstream Media Control group in MAINSTREAM in Part 4 — and other subjects they ignore or invalidate. In brief, the MSM never promotes anything that does not align with its interests and prejudices and, as anyone can see, banks pay for a lot of spots on the network TV. Also Big Pharma, oil and oil-burning internal combustion automobiles.All over the place.
When do you see ads for electric cars, solar, fusion, vitamins or BitCoin? Rarely, if ever. So, once the central banks sufficiently steal the blockchain technology and alter it for their control purposes, you can bet you will see it plastered all over network TV and into the MPAA Hollywood movies. Our “solution” to your money problems, they will say. Then the stupid public will lap it all up — hey it’s on TV — and start purchasing their new “financial services”. God knows what these financial “services” will be but they will probably make collateralized debt obligations look like Monopoly Money. In such a way, the Mainstream Media gets almost all Americans brainwashed out of their minds and ready for any new Ponzi.
In fact, it has everyone so brainwashed, WE THE PEOPLE now seem to “love” movies and guns more than we love our kids. After all, by 18, we have allowed our kids to watch over 16,000 stabbings and shootings or 200,000 other violent acts in movies and on network TV. Many of these acts are even peppered with (toilet) humor and the consequences of human suffering are rarely depicted. Also, much of the violence is even glamorized with big “name” stars, all of which denounce the guns in liberal media interviews, yet secretly and hypocritically keep and bear guns for their own personal security.
The Daily Bell:Is the idea to offer their solutions after they are fully done in order to take over blockchain and crypto-currencies?
James Jaeger:I would think so. The Globalist Agenda requires a global currency. I would thus think it’s only a matter of time before the world governments try to outlaw BitCoin and all crypto-currencies. And of course, they will attempt to make their new “world crypto-currency” all as normal as apple pie with a little help from their global brainwashing friends in the Hollywood movies and New York Networks. This is another WHY the MSM is promoting the Globalist Agenda.
The Daily Bell:This same thing was done with the movies, wasn’t it? Are they trying to shut down independent films now or is it too late?
James Jaeger: John Cones, one of our experts in MAINSTREAM, more fully answers this question, how the major studios have bought up most of the independent production companies so they can absorb even THEIR share of the market.
The Daily Bell: We see things changing. Maybe the movie domination of Wall Street and the City is over?
James Jaeger: I don’t know if things are changing. Last night I was reading the 2017 TIME WARNER Annual Report the big news is that AT&T will be acquiring TIME WARNER and the Board approved the “Merger Agreement” on 22 October 2016 as a cash + stock deal. So here we go again, yet more consolidation of the U.S. MASS MEDIA OLIGOPOLY.
We will discuss this Oligopoly in MAINSTREAM — a movie NOT coming to a theater near you. And why is this? BECAUSE the very companies we will be DISCUSSING will not make themselves the ISSUE.
The ramifications of only 6 conglomerates dominating 95% of the mass media should cause all Americans that love their kids to be FREAKING out. As discussed earlier, TIME WARNER is one of the six hyper-brainwashers and TIME WARNER owns everything.
They used to even own the song “Happy Birthday To You” but recently got rid of this. Good PR move as this made them look greedy and predatory. But they still own everything else. And if “they” don’t own it, one of their teenage subsidiaries — Turner, Warner Bros. or HBO — owns it. So the TIME WARNER Report goes on and on about how profitable and diversified these taxable entities are, yet no one there pays many taxes.
The Daily Bell: Any other points you want to make?
James Jaeger:If you like what we have done so far, please donate whatever you can to help us get Part 2 done. If donations don’t come in, this series stops at Part 1, dead forever. If generous donations come in — in other words, everyone reading this and screening the movie donates at least 100, 50 or 25 dollars — we get Part 2, and maybe even Parts 3 and 4, all done by the end of the Summer.
If this documentary series doesn’t get completed, I will assure you it will be a cold day in hell before anyone else attempts this insane and unrequited task.
And by then the Internet may not even exist as we know it for somehow the Conglomerates will have swallowed even that. So here’s the URL: www.MainstreamMedia.us/donate Eat out one less time this month and I promise you we at Matrix Entertainment we will put your money to better use than the restaurant owner.
The Daily Bell: We’ll look forward to Part 2 and thank you for your time.
James Jaeger: Thank you for granting me a “platform” — something the Mainstream Media denies anyone with a worthwhile message about Constitutional principles, free markets or responsible capitalism.